Sardul Singh’s Chatri: Multiplicity and Intertextuality of Architectural Memory

by Saumya Agarwal, India Foundation for the Arts

Before starting my PhD at Heidelberg University, I had been a literary studies scholar. For my PhD, I chose to research the wall paintings of Shekhawati in Rajasthan. Unsure of which academic discipline this research should be pursued under, I was guided by Professor Monica Juneja, who encouraged me to conduct this study under the aegis of transcultural studies, supporting me by graciously accepting a student with no prior training in art history. True to the theoretical aspects of transculturality, her guidance allowed me to create research that is not neatly contained within the analytical and methodological boundaries that define disciplines.

Her own scholarship has been instrumental in familiarizing me not only with art historical analytical frameworks but the possibility of analysing the visual with and beyond these frames.

In this article, I would like to discuss an idea that Professor Juneja has engaged with previously—the layered multiplicity of architectural memory.[i] For this purpose, I will briefly analyse the mural programme decorating a mid-eighteenth century chatri (cenotaph), from North East Rajasthan, and its intertextuality with the performed tradition involving painted scrolls known as pars. Continue reading “Sardul Singh’s Chatri: Multiplicity and Intertextuality of Architectural Memory”

Für Monica

by Petra Reski, Venice

Von links nach rechts: Monica, Friedrich, Armin und Kyoko in Vaux-le-Vicomte, Maincy, 1984. © Mit freundlicher Genehmigung von Friedrich Huneke.

Wenn ich an Monica denke, fällt mir immer das „Kleine Deutsche Sprachdiplom“ ein, das sie damals in Paris mehr so en passant erworben hat, wobei sie das niemals so ausdrücken würde, ich sage es nur, weil ich so beeindruckt davon war, wie akzentfrei Monica dieses „Kleine Deutsche Sprachdiplom“ aussprach, die deutschen Worte klangen aus ihrem Mund ganz anders, liebenswürdiger, nobler, vielleicht auch makelloser. Sie sprach Französisch, Italienisch, Englisch, Hindi und ich vermutete, dass sie wahrscheinlich auch Sanskrit sprach, während ich noch im Clinch mit dem subjonctif de l’imparfait lag. Continue reading “Für Monica”