by Simone Wille, University of Innsbruck
On the occasion of Monica’s symbolic birthday I would like to reflect on how I met Monica in Salzburg in 2011 and how, since then, she has become an invaluable person to me, encouraging me to write my first monograph and consequently undertake and pursue my long-term research on South Asia and Central Europe.
In 2011, I had just completed my PhD on modern art in Pakistan at the University of Vienna under the supervision of Ebba Koch when I was invited to partake in an initiative that was spearheaded by Sabine B. Vogel and Hildegund Amanshauser. This was the Global Art conference at the Salzburg International Summer Academy of Fine Arts. The project was later reorganized and renamed the Global Academy and then the Planetary Academy. Monica was invited to open this international conference as a speaker together with Hans Belting. Her paper reflected on traditional art-historical methodology and its insufficiency in resolving geographical hierarchies and conditions of visibilities. Her proposal for a transcultural art history that offers an analytical framework on many levels rather than simply opposing the global and the local has led me to engage with these methodological inquiries and possibilities more closely. Continue reading “Fellow Travelers”